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About Emily
Scottish soprano Emily Wishart graduated from the Royal College of Music in July 2025 with a Master of Performance (Vocal), having previously earned her Bachelor of Music (Hons) at the Royal Conservatoire of Scotland in 2021, where she worked closely with mezzo-soprano Karen Cargill as part of the Associate Artist programme.
Alongside her performing career, Emily is a dedicated educator specialising in the Kodály method. Now based in London, Emily is currently a Peripatetic Singing Tutor at Brighton College Prep Kensington and at Frith Manor Primary School in London as well as teaching privately. She has taught for the National Youth Choir of Scotland as YMI West Lothian Kodály Tutor, served as Kodály Specialist at St Mary’s Music School in Edinburgh, and worked with students across Scotland as a voice, piano, and musicianship teacher. Holding Level 9 Kodály Musicianship from the British Kodály Academy and an ABRSM Teaching Diploma with Distinction, she is passionate about fostering musical literacy, creativity, and confidence in learners of all ages.
Recent opera highlights include singing the roles of Belinda in Dido and Aeneas at the Northern Chords Festival and Zerlina in the Brunswick Vocal Arts Concert Highlights of Don Giovanni. Emily also performed several roles in the RCM Opera Scenes productions, such as Amore (L’incoronazione di Poppea), Sandrina (La finta giardiniera), Ernestine (Monsieur Choufleuri restera chez lui le…) and Ginevra (Ariodante). Whilst at the RCS, Emily’s roles in the Opera Scenes included Emmie in Albert Herring, Flora in Turn of the Screw, Gretel in Hansel and Gretel, and Madam Herz in Der Schauspieldirektor. At the Oxenfoord International Summer School in 2022, Emily played the role of Tytania in an extract from Britten’s A Midsummer Night’s Dream.
On the concert platform, Emily recently gave a solo afternoon recital at St James’s Church, Piccadilly, presenting a programme of Scottish songs. She is committed to championing Scots language in classical music, most recently collaborating with composer Molly Arnuk to create Mary’s Song for two sopranos and recorder, set to a poem by Marion Angus. This autumn, she will work with Arnuk again on a new piece inspired by her native Scotland, continuing her passion for performing new music. This November, she will compete in the first Scottish Singing Competition at the Caledonian Club, Belgravia.
Emily is also an experienced ensemb...
Alongside her performing career, Emily is a dedicated educator specialising in the Kodály method. Now based in London, Emily is currently a Peripatetic Singing Tutor at Brighton College Prep Kensington and at Frith Manor Primary School in London as well as teaching privately. She has taught for the National Youth Choir of Scotland as YMI West Lothian Kodály Tutor, served as Kodály Specialist at St Mary’s Music School in Edinburgh, and worked with students across Scotland as a voice, piano, and musicianship teacher. Holding Level 9 Kodály Musicianship from the British Kodály Academy and an ABRSM Teaching Diploma with Distinction, she is passionate about fostering musical literacy, creativity, and confidence in learners of all ages.
Recent opera highlights include singing the roles of Belinda in Dido and Aeneas at the Northern Chords Festival and Zerlina in the Brunswick Vocal Arts Concert Highlights of Don Giovanni. Emily also performed several roles in the RCM Opera Scenes productions, such as Amore (L’incoronazione di Poppea), Sandrina (La finta giardiniera), Ernestine (Monsieur Choufleuri restera chez lui le…) and Ginevra (Ariodante). Whilst at the RCS, Emily’s roles in the Opera Scenes included Emmie in Albert Herring, Flora in Turn of the Screw, Gretel in Hansel and Gretel, and Madam Herz in Der Schauspieldirektor. At the Oxenfoord International Summer School in 2022, Emily played the role of Tytania in an extract from Britten’s A Midsummer Night’s Dream.
On the concert platform, Emily recently gave a solo afternoon recital at St James’s Church, Piccadilly, presenting a programme of Scottish songs. She is committed to championing Scots language in classical music, most recently collaborating with composer Molly Arnuk to create Mary’s Song for two sopranos and recorder, set to a poem by Marion Angus. This autumn, she will work with Arnuk again on a new piece inspired by her native Scotland, continuing her passion for performing new music. This November, she will compete in the first Scottish Singing Competition at the Caledonian Club, Belgravia.
Emily is also an experienced ensemb...
